The documentary series tells about the history of the new Russian cinema in the context of events that changed Russia forever. The narrative is built in chronological order: from 1992, when the first film was released, where "Russia" was listed in the output data instead of "USSR", to the present. Directors, actors and producers will share their memories of the path in Russian cinema. Among them are Fyodor Bondarchuk, Gosha Kutsenko, Evgeny Tsyganov, Zhora Gooseberry, Pyotr Buslov, Elena Lyadova, Vladimir Khotinenko, Valeria Guy Germanika, Sergey Selyanov, Egor Konchalovsky and many others.

故事发生在曾经的浪漫之都巴黎，然而这里看不到一个人影，埃菲尔铁塔下冷清非常，宏伟的凯旋门破烂不堪。孤独的音乐在城市上空响起，整座城市一片死寂，了无生气。在某户人家，智能机器人L3.0独自看着电视，间或和小主人剩下的毛绒玩具下棋。他写下信叠成纸飞机，一架又一架飞向天空，渴望有人能够看到信和他共同结束这份孤独，无奈再多的努力也没法得到回应。偶然间，L3.0抓到了一只蝴蝶，他将蝴蝶带回家中养着，生命却有终结的时刻。 他的愿望太过非常……

暂无剧情简介

徒手自由攀岩大师、The North Face® 赞助运动员阿历克斯•霍诺德(Alex Honnold)是同辈中最大胆的无保护攀岩运动员。从首攀超高的抱石路线，到无保护徒手攀登5.13；从遍布各地的传统攀岩探险，到打破“The Nose”路线的速攀记录……在这项危险的运动中，如何既满足攀岩欲望，又进行自我保护？他带着这个问题，向运动生涯最艰巨的征程——“优胜美地三峰”（Yosemite Triple）发起挑战。他在19小时之内攀登了沃特金斯山(Mt. Watkins)、酋长岩“鼻子”线路(El Cap)和半圆顶(Half Dome)，其中95%的路程为无保护徒手攀岩……

Shavala is a smart, urbane young anthropologist who seeks the help of an acquaintance, Sandesh, a young Fine Arts student to work as her guide while researching the sexual customs of the Pari Tribe in the Western Ghats of Maharashtra in India. Her beautiful, almost bewitching journey to this secluded ancient village 'Pareni Tree' becomes a journey of horror as she is unwittingly trapped in a sexual encounter with far reaching repercussions. The film questions our deep rooted sexual emotions, customs and practices and their expression in today's age of hyper technology and pornography.

《时尚潮人3.0》这档男性时尚综艺秀，为你揭秘成功男人的时尚秘诀。

在出席《降魔的2.0》宣传活动中，“豪仔”胡鸿钧透露TVB早已准备好降魔三部曲，第三部开拍是必然的事；马国明透露即将会开拍《降魔的3.0》，剧本和编剧已经准备就绪。 而且《降魔的2.0》已经为续集留下了伏笔，跟施莱斯交换灵魂的魔将是马季接下来要面临的挑战。《降魔的》讲的是觉醒，《降魔的2.0》讲的是成长，那《降魔的3.0》又会讲什么呢？

A report from the set of the movie "To Love a Man" directed by S. A. Gerasimov.

At the end of the 20th century, the son of a distinguished family, Sosiko Cholokashvili, became interested in cinematography, a field unknown to the public. Despite his inexperience, financial difficulties, and disappointment, one of the first enthusiasts of Georgian cinema recorded many shots depicting the appearance and existence of old Tbilisi on tape.